Conference

ICTMD-IE 21st Annual Conference 2026: Broadcasting Music and Dance

RTÉ Donnybrook Campus, Dublin 4

17-18 April 2026

Email - ictmdireland2026@ucc.ie

Keynote Lecture: "A Feminist Walked into an Archive: Telling Stories about Broadcasting, Music, and Power"

Keynote Speaker: Professor Christina Baade (McMaster University)

As we mark a hundred years of public service broadcasting, we are caught as music scholars between the new normal of music streaming and the growing impact of AI. They promise us accessibility, connection, and powerful new insights, even as they obscure the infrastructure, labour, and resources they require—including our own attention and data. 

For those of us who study the history of music and radio, these promises are familiar, making now a very good time to revisit the concept of public service broadcasting, its archives, and its impacts on music and dance. I’ll take as my case study a feminist “big data” project I conducted in the British Broadcasting Corporation Written Archives in the late 2010s, situating the project in relation to popular music historiography and critical archival studies. In my talk, I’ll engage with Catherine D’Ignazio and Lauren F. Klein’s (2020) assertion that feminist data research must resist the presumed neutrality of data and “make labor visible,” as well as Josephine Dolan’s (2003) insistence that the archive is not a “dormant repository of knowledge.” 

What new stories can we tell when we think about archival materials in affective and embodied ways? What happens when we approach archives as sites of negotiation and struggle? How can we reframe histories of public service broadcasting not as a nostalgic “golden age” but as a resource for imagining a more vital, more creative, more just future?

Keynote Speaker: Professor Christina Baade (McMaster University)

Christina Baade is Professor and Chair in the Department of Communication Studies and Media Arts at McMaster University, where she is also affiliated with the Gender and Social Justice program and the McMaster Centre for Research in Employment and Work. Trained as a musicologist, her research crosses popular music, media, and sound studies, examining the performative work of women stars; the intersections of music and labor (including parenting and caregiving labor), the cultural impact of music radio and streaming; and cultural memory in post-World War II Britain. Her publications include her award-winning book, Victory Through Harmony: The BBC and Popular Music in World War II (OUP 2012) and three co-edited collections: Music and the Broadcast Experience (OUP 2016), Music in World War II: Coping with Wartime in Europe and the United States (Indiana UP 2020), and Beyoncé in the World: Making Meaning with Queen Bey in Troubled Times (Wesleyan 2021), which received honorable mention for the Society for Ethnomusicology’s Ellen Koskoff Edited Volume Prize. She is active in several scholarly societies, including the Society for American Music, North American British Music Studies Association, and International Association for the Study of Popular Music.

2026 ICTMD Ireland Annual Conference, RTÉ - flyer.jpg